2:32
-
2:42
|
Nazimova's entrance |
Comments |
4:51
-
5:01
|
A view of Rambova's full opening set |
Comments |
6:14
|
Set change |
Comments |
6:33
-
6:45
|
Full view of Rambova set 2 |
Comments |
7:20
-
7:28
|
Nazimova close up, tone shift when Marguerite is alone |
Comments |
8:23
-
8:29
|
Nazimova mirror med shot |
Comments |
9:26
-
9:30
|
Nazimova cu |
Comments |
10:45
-
10:50
|
Valentino cu |
Comments |
11:32
-
11:34
|
Valentino cu |
Comments |
12:34
-
12:38
|
lesbian subtext, same sex kiss with Marguerite and Nichette |
Comments |
12:54
-
12:56
|
Marguerite and Nichette |
Comments |
13:03
-
13:55
|
Marguerite and Nichette, second kiss and subtext |
Comments |
14:08
-
14:11
|
Marguerite/Nichette third & fourth kiss |
Comments |
25:44
-
25:46
|
Valentino kisses sword |
Comments |
26:39
-
26:45
|
Nichette is back and Marguerite kisses her on the mouth Again |
Comments |
27:32
|
Interesting snow effect begins |
Effect |
21:52
-
21:56
|
off center iris transition |
Efffects |
27:35
-
27:36
|
Book titled: Manon lescaut |
Transcription |
29:30
-
29:33
|
Flowers with card labeled "Comte de Varville" |
Transcription |
29:45
|
Comte de Varville |
Transcription |
30:38
-
30:50
|
I Marguerite Gautier hereby authorize Prudence Duvernay to sell the following items... |
Transcription |
38:16
-
38:19
|
Letter "Comte de Varville" |
Transcription |
39:43
-
39:57
|
Note from Marguerite and translation - "Notre petite escapade est finie, Armand, je retoirne a Paris. Rentres chez toi et oublis. Marguerite / Our little escapade is over, Armand, I am returning to Paris-- Go home and forget! Marguerite |
Transcription |
44:18
-
44:24
|
Marguerite's note - Our little escapade is over, Armand, I am returning to Paris-- Go home and forget! Marguerite |
Transcription |
1:00:31
-
1:00:35
|
Marguerite's letter in French - "Tout ce que je possede doit etre vendu pour payer mes creamciers, a l'exeption d'un volume de Manor Lescaut. C'est le seul cadeau que j'ai recu d'Armand. Donney le lui, et quand je ne serai plus dites lui combieu je l'aimac Marguerite Gautier |
Transcription |
1:00:36
-
1:00:54
|
the letter in English - "All my possesions are to be sold to pay my creditors, with the exception of a volume of Manon Lescaut-- the only gift I ever recieved from Armand. When I am gone, give it to him--and tell him how much I loved him. Marguerite Gautier |
Transcription |
1:03:04
-
1:03:06
|
Book cover - Manon Lescaut |
Transcription |
1:03:55
-
1:04:04
|
Inscription - "Marguerite a Armand, Amour" / Translation "Marguerite to Armand, Love" |
Transcription |
1:11
-
1:25
|
Camille! What a magic conjuring of players who have portrayed Dumas' immortal "Daughter of Chance". And with them comes to mind the thought of basque and crinoline. |
Intertitles |
1:27
-
1:37
|
But why not a Camille of today? Living the same story in this generation? |
Intertitles |
1:39
-
1:52
|
Winter. Paris, magic city of pleasure, yet beneath its tinseled gaiety throbbing with life's grim note of passion and tragedy. |
Intertitles |
2:07
-
2:16
|
It was all new to Armand Duval who had just come from the provinces. ...Rudolph Valentino
|
Intertitles |
2:20
-
2:27
|
But his boyhood friend, Gaston Rieux, had grown blasé. ...Rex Cherryman |
Intertitles |
2:42
-
2:53
|
The Lady with the Camellias. She was a useless ornament--a plaything--a bird of passage--a momentary aurora. Marguerite Gautier, Nazimova |
Intertitles |
5:07
-
5:15
|
Prudence was a sponger on her younger and more successful sisters. ...Zeffie Tilbury |
Intertitles |
21:39
-
21:50
|
Spring. Away from the old life, Armand's tender care proved that love is the greatest doctor. |
Intertitles |
23:31
-
23:42
|
RV, reading: And so Marguerite heard the story of Manon Lescaut, child of passion, exiled to the New World with the scum of Paris-- |
Intertitles |
24:01
-
24:09
|
#NAME? |
Intertitles |
24:38
-
24:44
|
Over Marguerite fell the shadow of a vague presentiment. She was Manon and Armand was-- |
Intertitles |
28:06
-
28:13
|
Summer. Secrets--schemes--sacrifices for future happiness. |
Intertitles |
42:24
-
42:30
|
At nightfall, Marguerite left for Paris. |
Intertitles |
45:16
-
45:24
|
Autumn. The Hazard d'Or, the smartest gaming place in Paris. |
Intertitles |
45:50
-
46:02
|
Paris boasted a new Daughter of Chance, whose golden beauty bade fair to rival "the Lady with the Camellias:. Olympe ...Consuelo Flowerton
|
Intertitles |
1:09:25
-
1:09:30
|
THE END. |
Intertitles |
22:58
-
23:05
|
Manon a Marguerite, humilite, Armand Duval / Manon to Marguerite, humility, Armand Duval |
Inscription and translation |
27:26
-
27:28
|
light damage to the film print here |
Damage |
27:30
|
huge tear/nitrate decay |
Damage |
55:05
-
55:06
|
light leak damage, from projector? |
Damage |
58:28
-
58:29
|
possible projector damage |
Damage |
1:02:46
-
1:02:47
|
light damage |
Damage |
1:08:41
|
mold or mildew on film stock |
Damage |
0:02
-
0:13
|
Metro presents
Nazimova
in a modernized version of
Camille
By Alexandre Dumas, fils.
Copyright 1921 by Metro Pictures Corporations
Controlled by Loew Incorporated |
Opening titles |
0:14
-
0:19
|
Directed by
Ray C. Smallwood |
Opening titles |
0:21
-
0:27
|
Written for the screen by
June Mathis |
Opening titles |
0:30
-
0:34
|
Art Director
Natasha Rambova
Photographed by
R. J. Berquist
member A.S.C. |
Opening titles |
0:35
-
0:44
|
A
Nazimova
Production
Released through
Metro Pictures Corporation
Passed by the National Board of Review |
Opening titles |
0:47
-
1:07
|
CAST |
Opening titles |
22:34
-
22:36
|
Manon Lescaut |
Book cover |
1:04:07
-
1:04:08
|
light damage |
Damge |
3:10
-
3:22
|
Gaston Rieux: "There is 'the Lady with the Camellias' with the Count de Varville. She is evidently playing for higher stakes. The old Duke is getting his congé." |
Dialogue |
3:47
-
3:49
|
RV: "You really know her, Gaston?" |
Dialogue |
3:52
-
3:55
|
GR: Would you like to meet her? |
Dialogue |
4:23
-
4:27
|
GR: "Permit me to introduce a fellow law student." |
Dialogue |
4:36
-
4:39
|
AN: "A law student? He'd do better to study love!" |
Dialogue |
5:17
-
5:19
|
Gaston, take me home! |
Dialogue |
5:29
-
5:34
|
Marguerite is giving a supper party--let's drop in and surprise her! |
Dialogue |
6:53
-
6:56
|
AN: "Not until you put a jewel in my hand." |
Dialogue |
7:43
-
7:51
|
Madame, you are ill! You should not have gone out--send them away and call the doctor. |
Dialogue |
7:57
-
8:03
|
AN: "What does it matter, Nanine? Who is there to care whether I live or not?" |
Dialogue |
9:16
-
9:20
|
Poor boy--he is mad about you! |
Dialogue |
9:30
-
9:34
|
AN: "Not until you put a jewel in my hand." |
Dialogue |
10:16
-
10:24
|
AN: "Let us drink to the Count whose wine we spill-- Who never objects to footing the bill--" |
Dialogue |
10:31
-
10:36
|
AN: "Who is very persistent in his attentions-- Yet never conceals his-- intentions!" |
Dialogue |
11:17
-
11:28
|
AN: "A simple little girl from Bordeaux: Hair, eyes and feet--just so! /Modest little ways--dear little Clo! /The simple little girl from Bordeaux." |
Dialogue |
11:51
-
12:03
|
AN: Here just a year--everyone's dear!/ Motors, jewels, clothes--oh! ho!/ Are her eyes and feet--just so?/ Naughty little Clo--Clo from Bordeaux!" |
Dialogue |
12:44
-
12:51
|
Oh, it is only Nichette! She used to work in the dressmaking shop with Marguerite. |
Dialogue |
13:17
-
13:22
|
AN: "Take your hands off--she is too good for you!" |
Dialogue |
15:37
-
15:39
|
RV: "She is ill!" |
Dialogue |
15:41
-
15:51
|
She is always ill! Just when we are enjoying ourselves, on comes that cough and our fun is spoiled! |
Dialogue |
16:18
-
16:22
|
RV: "You are ill! Let me send for the doctor!" |
Dialogue |
16:32
-
16:36
|
AN: "It is nothing--see how the others concern themselves!" |
Dialogue |
16:46
-
16:52
|
RV: "You are different! This life is unworthy of you--it is killing you!" |
Dialogue |
17:09
-
17:16
|
AN: "You know who--what I am? Go home--forget that we have ever met." |
Dialogue |
17:23
-
17:33
|
RV: "I wish I were a relative--your servant--a dog--that I might care for you--nurse you--make you well!" |
Dialogue |
17:44
-
17:51
|
AN: "My life is not for long and short as it may be, it would outlive your love." |
Dialogue |
17:56
-
18:07
|
RV: "This is no foolish fancy! Give me a chance to prove my devotion! Since I saw you this evening, nothing else seems to matter!" |
Dialogue |
18:43
-
18:54
|
AN: "My symbol, Armand--a camellia. Cherished, its beauty will excel the loveliest flower, but wound it with the slightest touch and it will die." |
Dialogue |
20:10
-
20:14
|
AN: "Go! Go and take your sponging pack with you!" |
Dialogue |
20:30
-
20:33
|
Leave her alone--she's drunk! |
Dialogue |
25:06
-
25:11
|
AN as Manon: "Why follow me, beloved? I am now the lowest of the low." |
Dialogue |
25:18
-
25:26
|
RV: "I will gladly lay my honor at thy feet and follow the to the end of the world." |
Dialogue |
26:19
-
26:25
|
AN: "I could never chain you to my past, Armand--drag you down--never!" |
Dialogue |
26:57
-
27:06
|
Nichette has made me go to work. As soon as I can earn enough money, we will be married. |
Dialogue |
27:13
-
27:18
|
Nichette: "You will wear one some day." [AN, mouthing: "Me?"] |
Dialogue |
28:28
-
28:35
|
PD: "Everything you possess is listed on this bill of sale. All it needs is your signature." |
Dialogue |
28:48
-
28:53
|
PD: "Does Armand know?" [AN, mouthing: "No, no"] |
Dialogue |
29:55
-
30:01
|
AN: "Take them back to Paris, Prudence! They have no place in this house!" |
Dialogue |
30:05
-
30:12
|
PD: "Don't be a fool, Marguerite! You are sacrificing everything when the Count offers you luxury." |
Dialogue |
31:49
-
31:54
|
You are Marguerite Gautier? I am Armand Duval's father. |
Dialogue |
32:07
-
32:10
|
AN: "I--I am Marguerite Gautier." |
Dialogue |
32:44
-
32:58
|
I find that my son is about to make over his mother's legacy to you. Why rob him of his inheritance when there are so many rich men in Paris? |
Dialogue |
33:01
-
33:08
|
AN: "I do not know what you mean! I would not accept a penny from your son!" |
Dialogue |
33:15
-
33:23
|
AN: "I am selling all I possess--there is no need for anxiety--I would do anything for Armand." |
Dialogue |
33:38
-
33:48
|
Then I ask you to give him up. I appeal to you as a father who seeks the happiness of both his children. |
Dialogue |
33:51
-
33:55
|
I have a daughter who is engaged to be married-- |
Dialogue |
34:10
-
34:25
|
There has never been a scandal in our family. It will be impossible for me to marry your daughter, unless Armand's name is no longer linked with 'the Lady with the Camellias'! |
Dialogue |
34:58
-
35:04
|
Her life is just beginning--my daughter's happiness is in your hands. |
Dialogue |
35:30
-
35:35
|
AN: "I will go away until Armand's sister is married." |
Dialogue |
35:41
-
35:44
|
That is not enough! |
Dialogue |
36:09
-
36:19
|
AN: "Do not ask me to give him up forever! He is my very life--I have not long to live!" |
Dialogue |
36:49
-
36:54
|
There is no future for your love--you must give him up! |
Dialogue |
37:03
-
37:09
|
Do not remind me of my past! I want to forget it! |
Dialogue |
37:33
-
37:42
|
You cannot--you are chained to your past! Would you drag the man you love down into the mire? |
Dialogue |
38:37
-
38:45
|
AN: "You are right! I must make him hate me! He must never want to see me again!" |
Dialogue |
46:21
-
46:31
|
He is only doing it so that Marguerite will hear of it! He has been like a madman for the past month. |
Dialogue |
47:07
-
47:10
|
And Marguerite! Suppers--parties--she is drugging herself with excitement! She will kill herself! 00;46;37;03 00;46;44;04 00;00;07;00 Comment
Dialogue Look at your broken-hearted lover!" |
Dialogue |
47:57
-
48:03
|
AN: "So we have both drifted back to the old life, Gaston!" |
Dialogue |
48:10
-
48:19
|
I am here only to watch Armand. Nichette and I are to be married on the last day of the year. |
Dialogue |
49:13
-
49:21
|
RV: "If chance could be bought with gold--like a woman--you might be the winner, my dear Count!" |
Dialogue |
49:33
-
49:41
|
It is usually the provincial upstart who wins for the first time--and boasts of his luck! |
Dialogue |
50:11
-
50:14
|
You have broken the bank! |
Dialogue |
51:27
-
51:32
|
AN: "Why are you here Armand? I hoped you would leave Paris!" |
Dialogue |
51:46
-
51:49
|
RV: "I will--if you go with me!" |
Dialogue |
52:11
-
52:14
|
AN: "I must not! I promised--I promised!" |
Dialogue |
52:18
-
52:22
|
RV: "You promised? The Count de Varville?" |
Dialogue |
52:30
-
52:35
|
RV: "Say that you love him and I will leave Paris forever!" |
Dialogue |
52:59
-
53:03
|
AN: "I love--the Count de Varville." |
Dialogue |
53:47
-
53:52
|
RV: "You see that woman? Do you know what she has done?" |
Dialogue |
53:57
-
54:10
|
RV: "Listen--all of you! I loved her more than life itself--but I was poor and could not pay! Her love was for sale--she left me! |
Dialogue |
54:33
-
54:39
|
RV: "Bear witness that I pay her now--that I owe her nothing!" |
Dialogue |
55:33
-
55:37
|
RV: "I am through with you--and Paris, forever!" |
Dialogue |
56:46
-
56:53
|
Winter. With the last day of the dying year. |
Dialogue |
58:01
-
58:08
|
AN: "It is the last day of December--the wedding day of Gaston and Nichette." |
Dialogue |
58:15
-
58:20
|
AN: "And to think that I am too ill to be there!" |
Dialogue |
59:02
-
59:04
|
She is very ill. |
Dialogue |
59:10
-
59:17
|
The court has ordered an immediate auction to satisfy the demands of creditors. |
Dialogue |
59:60
-
1:00:06
|
AN: "I know they have come--what does it matter? It is the end." |
Dialogue |
1:02:24
-
1:02:27
|
Your jewels, Madame? |
Dialogue |
1:02:34
-
1:02:38
|
AN: "It is the most precious thing I possess!" |
Dialogue |
1:06:16
-
1:06:19
|
She is in delirium. |
Dialogue |
1:06:59
-
1:07:07
|
AN: "Do not weep, Gaston, the world will lose nothing. I was a useless ornament--a plaything--a momentary aurora." |
Dialogue |
1:07:30
-
1:07:31
|
AN: "Armand." |
Dialogue |
1:08:52
-
1:08:56
|
AN: "Let me sleep--let me dream--I am happy." |
Dialogue |
1:54
-
2:01
|
Iris transition |
Effects |
6:14
-
6:17
|
Iris transition |
Effects |
21:33
-
21:37
|
Iris transition |
Effects |
22:11
-
22:14
|
interesting vignette of bell tower |
Effects |
23:45
-
23:47
|
dissolve (to images from the story) |
Effects |
24:28
-
24:29
|
dissolve |
Effects |
24:49
-
24:52
|
dissolve back to story |
Effects |
26:02
-
26:03
|
dissolve |
Effects |
27:60
-
28:04
|
iris transition |
Effects |
28:14
-
28:17
|
Iris transition |
Effects |
33:58
-
34:01
|
Fade out/fade in (signals flashback) |
Effects |
34:52
-
34:54
|
fade out/fade in |
Effects |
37:56
-
37:59
|
fade out/in (back to the story Manon from earlier) |
Effects |
38:05
-
38:08
|
fade out/in |
Effects |
41:42
-
41:45
|
CU on camellias |
Effects |
42:18
-
42:22
|
Iris out |
Effects |
45:10
-
45:14
|
Iris out |
Effects |
45:24
-
45:29
|
Iris in to another Rambova set |
Effects |
49:03
-
49:05
|
Nazimova and Spider web set |
Effects |
50:47
-
50:49
|
Valentino in spider web set |
Effects |
52:03
-
52:10
|
fade out/in out/in |
Effects |
56:40
-
56:44
|
Iris |
Effects |
56:55
-
56:59
|
Iris |
Effects |
57:52
-
57:56
|
Bell vignette |
Effects |
1:04:53
-
1:04:56
|
Bell vignette and dissolve to flashback |
Effects |
1:06:30
-
1:06:33
|
Blur effect to indicate Marguerite's health decline/"delirium" |
Effects |
1:06:37
-
1:06:40
|
Gaston and Nichette slowly come into focus |
Effects |
1:07:59
-
1:08:01
|
slow dissolve to flashback |
Effects |
1:08:19
-
1:08:28
|
Armand and Marguerite memory slowly blurs and dissolves back to present |
Effects |
1:09:18
-
1:09:24
|
Slow Iris in |
Effects |
27:46
-
27:49
|
AN: "No, no--not that!" |
Dialoge |